Why Doesn't Ancient Fiction Talk About Feelings?
Reading medieval literature, it's hard not to be impressed with how much the characters get done--as when we read about King Harold doing battle in one of the Sagas of the Icelanders, written in about 1230. The first sentence bristles with purposeful action: "King Harold proclaimed a general levy, and gathered a fleet, summoning his forces far and wide through the land." By the end of the third paragraph, the king has launched his fleet against a rebel army, fought numerous battles involving "much slaughter in either host," bound up the wounds of his men, dispensed rewards to the loyal, and "was supreme over all Norway." What the saga doesn't tell us is how Harold felt about any of this, whether his drive to conquer was fueled by a tyrannical father's barely concealed contempt, or whether his legacy ultimately surpassed or fell short of his deepest hopes. In his short story "Forever Overhead," the 13-year-old protagonist takes 12 pages to walk across the deck of a public swimming pool, wait in line at the high diving board, climb the ladder, and prepare to jump.